During the installation piece, Bilal confined himself to a small room at the Flat File Galleries, located in Chicago.Although the artist was confined, he could be seen twenty-four hours a day through a camera that he had connected to the Internet.In addition to the physical welts he received from the paintball pellets, the artist became so overwhelmed by the constant threat of being shot that he experienced post-traumatic stress, as if he were actually in a war zone.
The game holds up a mirror that reveals our own propensities for violence, racism and propaganda.
We can close our eyes, our ears and deny that it exists, but the issue won't go away.
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In 1991, after refusing to volunteer to participate in the invasion of Kuwait and organizing opposition groups, he fled Iraq and lived in a refugee camp in Saudi Arabia for two years, teaching art to children.